123 Pleasant Street

Falsifier w/ Bottomfeeders, Shotgun Surgeon, and King of Nothing

Sunday, Jun 04 2023
7 PM

18+

$15.00

Falsifier w/ Bottomfeeders, Shotgun Surgeon, and King of Nothing

Red Eye Comedy Presents: Hari Konabolu

Tuesday, Jun 06 2023
7 PM

18+

$10.00

Red Eye Comedy Presents: Hari Konabolu

Cristina Vane Trio and The Wilson Spring Hotel

Nashville-based country-blues artist Cristina Vane makes their way into 123 Pleasant Street alongside The Wilson Spring Hotel on Friday, June 9th. $12ADV/$15DOS

Friday, Jun 09 2023
8 PM

18+

$12.00

Cristina Vane Trio and The Wilson Spring Hotel
Nashville-based country-blues artist Cristina Vane makes their way into 123 Pleasant Street alongside The Wilson Spring Hotel on Friday, June 9th. $12ADV/$15DOS

Wax Brain, LMI, Onikuma

Saturday, Jun 10 2023
8 PM

18+

$10.00

Wax Brain, LMI, Onikuma

No/Mas w/ KNOLL, Scare Tape, and Hericide

Tuesday, Jun 13 2023
8 PM

18+

$15.00

No/Mas w/ KNOLL, Scare Tape, and Hericide

Horehound, Grey Harbinger, HOVEL

Thursday, Jun 15 2023
8 PM

18+

$10.00

Horehound, Grey Harbinger, HOVEL

Ol' Boy Ent Presents: Ragin' In The Streets w/ Triiipgod, Calico, Dr. Purp, and Howes Party

Saturday, Jun 17 2023
8 PM

18+

$10.00

Ol' Boy Ent Presents: Ragin' In The Streets w/ Triiipgod, Calico, Dr. Purp, and Howes Party

Flummox

Flummox returns to 123 Pleasant Street on Saturday June 24th! Special guests TBA.

Saturday, Jun 24 2023
8 PM

18+

$10.00

Flummox
Flummox returns to 123 Pleasant Street on Saturday June 24th! Special guests TBA.

The Jasons w/ Saidan, and Truckstop

The Jasons are back with a spicy punk rock/black metal mashup with Nashville's Saidan on Sunday, June 26th alongside Parkersburg's Truckstop. Doors open up at 7PM

Sunday, Jun 25 2023
7 PM

18+

$10.00

The Jasons w/ Saidan, and Truckstop
The Jasons are back with a spicy punk rock/black metal mashup with Nashville's Saidan on Sunday, June 26th alongside Parkersburg's Truckstop. Doors open up at 7PM

Sarah Shook and The Disarmers w/ Tucker Riggleman and The Cheap Dates

Sarah Shook & the Disarmers return to 123 Pleasant Street on Monday, June 27th at 7pm. Support TBA $18adv/$20dos 18&up

Tuesday, Jun 27 2023
7 PM

18+

$18.00

Sarah Shook and The Disarmers w/ Tucker Riggleman and The Cheap Dates
Sarah Shook & the Disarmers return to 123 Pleasant Street on Monday, June 27th at 7pm. Support TBA $18adv/$20dos 18&up

Ghost Road CD Release Show w/ Latecomer and Wax Brain

Friday, Jun 30 2023
8 PM

18+

$10.00

Ghost Road CD Release Show w/ Latecomer and Wax Brain

Scare Tape w/ Trainwrecked, King of Nothing, and Fall of Babylon

Tuesday, Jul 11 2023
7 PM

18+

$10.00

Scare Tape w/ Trainwrecked, King of Nothing, and Fall of Babylon

Tucker Riggleman and The Cheap Dates w/ Haley and The Hard Way

Friday, Jul 14 2023
8 PM

18+

$10.00

Tucker Riggleman and The Cheap Dates w/ Haley and The Hard Way

Scattered Hamlet w/ The Grym Sins

Scattered Hamlett makes their way back to 123 Pleasant Street accompanied by The Grym Sins! Doors at 8PM 18&up

Saturday, Jul 15 2023
8 PM

18+

$10.00

Scattered Hamlet w/ The Grym Sins
Scattered Hamlett makes their way back to 123 Pleasant Street accompanied by The Grym Sins! Doors at 8PM 18&up

Glitterer w/ 9Million, What's Missing

Glitterer was born in August of 2017, when the eponymous Glitterer EP appeared on Bandcamp. To some, Glitterer seemed to manifest the parallel identity, something between an alter-ego and a superego, of Ned Russin, who wrote, sang, and played every note of the EP’s eight songs. Ned Russin is a New Yorker, by way of Northeastern Pennsylvania, a 29-year-old bassist and singer who made his name in music by playing in a band called Title Fight. Glitterer features spartan instrumentation — bass, drum machine, synths, and a familiar voice — and its compositional ethos, such as the listener can grasp, lies in hyper-efficient deployment of discrete harmonic and melodic ideas, also known as verses, choruses, and bridges. The introspective but gnomic lyrics address the kinds of ontological, existential, epistemological, ethical, and moral questions one would expect might occur to a 20-something liberal-arts college student (which Ned was, at Columbia, at the time of Glitterer’s release) all while wryly acknowledging the predictability of such heady questions arising under such heady conditions.

Thursday, Jul 27 2023
8 PM

18+

$15.00

Glitterer w/ 9Million, What's Missing
Glitterer was born in August of 2017, when the eponymous Glitterer EP appeared on Bandcamp. To some, Glitterer seemed to manifest the parallel identity, something between an alter-ego and a superego, of Ned Russin, who wrote, sang, and played every note of the EP’s eight songs. Ned Russin is a New Yorker, by way of Northeastern Pennsylvania, a 29-year-old bassist and singer who made his name in music by playing in a band called Title Fight. Glitterer features spartan instrumentation — bass, drum machine, synths, and a familiar voice — and its compositional ethos, such as the listener can grasp, lies in hyper-efficient deployment of discrete harmonic and melodic ideas, also known as verses, choruses, and bridges. The introspective but gnomic lyrics address the kinds of ontological, existential, epistemological, ethical, and moral questions one would expect might occur to a 20-something liberal-arts college student (which Ned was, at Columbia, at the time of Glitterer’s release) all while wryly acknowledging the predictability of such heady questions arising under such heady conditions.

Thelma and The Sleeze w/ Randy

Friday, Jul 28 2023
8 PM

18+

$12.00

Thelma and The Sleeze w/ Randy

Kassi Valazza

On Friday September 8th, 123 Pleasant Street is proud to host the ever talented Kassi Valazza with special guest Julianna Riolino and local support TBA. There is a cult-like fascination growing around Kassi Valazza following the self-release of her 2019 debut album Dear Dead Days and her surprise 2022 EP Highway Sounds. She is seated squarely at the vanguard of new American songwriters strengthening and broadening the sound of country music as she tours with celebrated acts such as Melissa Carper and Riddy Arman. The Southwestern native resides in Portland, a hotbed of songwriters producing albums that both bear the torch and bend the arc of American roots music, where she recently signed with Fluff & Gravy Records -- a label known for launching Anna Tivel and Margo Cilker.Valazza's forthcoming new album Kassi Valazza Knows Nothing is a spellbinding collection of songs that dangle like protective magic talismans, catching dreams and glinting light. She hypnotizes listeners with a sturdy, yet gentle, voice and painterly songwriting imbued with an independent spirit. Though her music plays country cousin to British folk, calling to mind greats like Sandy Denny (Fairport Convention) and Karen Dalton, a Southwestern American streak carves its way through these solemn, sweetly sung melodies like a canyon.On the upcoming 10-song set, multi-instrumentalists from Portland's TK & the Holy Know-Nothings appear in varying roles as Valazza's backing band: Taylor Kingman (guitars, bass, vocals), Jay Cobb Anderson (harmonica, guitars, pedal steel, bass), Lewi Longmire (pedal steel, piano, bass, trumpet), Sydney Nash (organ, Farfisa, cornet, Wurlitzer), and Tyler Thompson (drums). The group's swirling psychedelia combines with Valazza's gutsy and graceful vocal poetry for a singular sound that washes over the listener like a flash flood, heavy and without warning.Album opener "Room In The City" introduces Valazza's high-lonesome, but never lonely world with sharp harmonica and reeling organ. She sings of a touring musician's longing for home, and a distant lover, with lyrical imagery of open skies, whistling winds, and sepia-toned rock formations: "Did you think I'd be out here feeling lonely? / If I said I thought so too it'd be a lie / When I talk to you it's hard to be withholding / And I was born to chase this blue out of my eyes. / In the still, I often wonder about your breathing / I rise and fall to its rhythm late at night / Clay canyons turn to plaster in my grieving / And our ceiling overtakes the sky."Using the physical world around her to paint metaphors from the soul, Valazza carries us through her mind and heart, ever the effortless narrator. "Watching Planes Go By" spins a cautionary tale about the dangers of standing still in life and accepting one's own fate. The song sets a curious and cosmic atmosphere of psychedelic folk-rock as Valazza reflects on the struggles of moving on, "Autumn leaves turn to yellow / and green turns to jealousy / Watching days go by."On "Corners," fingerpicked acoustic guitar dances with bounding bass and twinkling piano, as twanging telecaster and a gentle backing choir flow behind Valazza like a stream through a lonesome vista. "The clouds move slower than they ever seemed to / Still, they find a way to pass me by," she sings on her breezy lament about the longing that comes with an unhealthy love, "My friends, though, they wonder what I'm used to / To love a man who never treats me right.""Smile" opens with a familiar telecaster honky-tonk squawk and a half-time trot, but Valazza sings in deference to traditional bar-room tales. Hers is about acceptance when love is not enough, about being satisfied having met someone at all, and keeping only a farewell note as a souvenir. "I guess I could have left the light on / Or stayed awake to see you home / But good intentions go unnoticed / And I fare better on my own." In her careful hands, the typical loved-and-lost tale becomes an ode to self-realization and the liberating feeling of going it alone.As her journey winds down to "Welcome Song" -- the album's final Valazza-original preceding a perfect closing cover of Michael Hurley's "Wildegeeses" -- tension from her nearly behind-the-beat band pushes and pulls the listener into a whirlwind of stream-of-consciousness lyricism. The opening verse, "As I was laying on my floor / Hiding dreams from the t.v. / I heard a knocking at my door / While my eyes faked sleeping," paints an immaculate mental picture of both the physical surroundings of the narrator and what she's feeling and thinking at the time. It's clear that every line Valazza writes carries extreme weight, every simple word is carefully chosen and placed with intention.Kassi Valazza Knows Nothing captures the romanticism of country crooners with the intuition of a realist poet. Exploring themes of love and longing through metaphors from the natural world, Valazza manages to cut straight to the heart of the human experience, her lucid songs full of delightfully languid characters that haunt the hallucinatory soundscapes her band creates.

Friday, Sep 08 2023
8 PM

18+

$15.00

Kassi Valazza
On Friday September 8th, 123 Pleasant Street is proud to host the ever talented Kassi Valazza with special guest Julianna Riolino and local support TBA. There is a cult-like fascination growing around Kassi Valazza following the self-release of her 2019 debut album Dear Dead Days and her surprise 2022 EP Highway Sounds. She is seated squarely at the vanguard of new American songwriters strengthening and broadening the sound of country music as she tours with celebrated acts such as Melissa Carper and Riddy Arman. The Southwestern native resides in Portland, a hotbed of songwriters producing albums that both bear the torch and bend the arc of American roots music, where she recently signed with Fluff & Gravy Records -- a label known for launching Anna Tivel and Margo Cilker.Valazza's forthcoming new album Kassi Valazza Knows Nothing is a spellbinding collection of songs that dangle like protective magic talismans, catching dreams and glinting light. She hypnotizes listeners with a sturdy, yet gentle, voice and painterly songwriting imbued with an independent spirit. Though her music plays country cousin to British folk, calling to mind greats like Sandy Denny (Fairport Convention) and Karen Dalton, a Southwestern American streak carves its way through these solemn, sweetly sung melodies like a canyon.On the upcoming 10-song set, multi-instrumentalists from Portland's TK & the Holy Know-Nothings appear in varying roles as Valazza's backing band: Taylor Kingman (guitars, bass, vocals), Jay Cobb Anderson (harmonica, guitars, pedal steel, bass), Lewi Longmire (pedal steel, piano, bass, trumpet), Sydney Nash (organ, Farfisa, cornet, Wurlitzer), and Tyler Thompson (drums). The group's swirling psychedelia combines with Valazza's gutsy and graceful vocal poetry for a singular sound that washes over the listener like a flash flood, heavy and without warning.Album opener "Room In The City" introduces Valazza's high-lonesome, but never lonely world with sharp harmonica and reeling organ. She sings of a touring musician's longing for home, and a distant lover, with lyrical imagery of open skies, whistling winds, and sepia-toned rock formations: "Did you think I'd be out here feeling lonely? / If I said I thought so too it'd be a lie / When I talk to you it's hard to be withholding / And I was born to chase this blue out of my eyes. / In the still, I often wonder about your breathing / I rise and fall to its rhythm late at night / Clay canyons turn to plaster in my grieving / And our ceiling overtakes the sky."Using the physical world around her to paint metaphors from the soul, Valazza carries us through her mind and heart, ever the effortless narrator. "Watching Planes Go By" spins a cautionary tale about the dangers of standing still in life and accepting one's own fate. The song sets a curious and cosmic atmosphere of psychedelic folk-rock as Valazza reflects on the struggles of moving on, "Autumn leaves turn to yellow / and green turns to jealousy / Watching days go by."On "Corners," fingerpicked acoustic guitar dances with bounding bass and twinkling piano, as twanging telecaster and a gentle backing choir flow behind Valazza like a stream through a lonesome vista. "The clouds move slower than they ever seemed to / Still, they find a way to pass me by," she sings on her breezy lament about the longing that comes with an unhealthy love, "My friends, though, they wonder what I'm used to / To love a man who never treats me right.""Smile" opens with a familiar telecaster honky-tonk squawk and a half-time trot, but Valazza sings in deference to traditional bar-room tales. Hers is about acceptance when love is not enough, about being satisfied having met someone at all, and keeping only a farewell note as a souvenir. "I guess I could have left the light on / Or stayed awake to see you home / But good intentions go unnoticed / And I fare better on my own." In her careful hands, the typical loved-and-lost tale becomes an ode to self-realization and the liberating feeling of going it alone.As her journey winds down to "Welcome Song" -- the album's final Valazza-original preceding a perfect closing cover of Michael Hurley's "Wildegeeses" -- tension from her nearly behind-the-beat band pushes and pulls the listener into a whirlwind of stream-of-consciousness lyricism. The opening verse, "As I was laying on my floor / Hiding dreams from the t.v. / I heard a knocking at my door / While my eyes faked sleeping," paints an immaculate mental picture of both the physical surroundings of the narrator and what she's feeling and thinking at the time. It's clear that every line Valazza writes carries extreme weight, every simple word is carefully chosen and placed with intention.Kassi Valazza Knows Nothing captures the romanticism of country crooners with the intuition of a realist poet. Exploring themes of love and longing through metaphors from the natural world, Valazza manages to cut straight to the heart of the human experience, her lucid songs full of delightfully languid characters that haunt the hallucinatory soundscapes her band creates.

Rozwell Kid w/ Colleen Green and Natural Rat

Rozwell Kid returns to 123 on Saturday, September 16th with special guest Colleen Green and more to be announced.

Saturday, Sep 16 2023
8 PM

18+

$16.00

Rozwell Kid w/ Colleen Green and Natural Rat
Rozwell Kid returns to 123 on Saturday, September 16th with special guest Colleen Green and more to be announced.

The Nude Party

For The Nude Party, nearly a decade has flown by in the blink of an eye. In that time, the New York-based band has released a pair of well-received albums, an EP, and played countless shows. Prior to the pandemic, the band was really starting to hit its stride. They had a system in place and were spreading their brand of melodic rock to the masses. In fact, they could count Jack White, Arctic Monkeys, and Orville Peck as vocal supporters, which led to support slots for each. Soon, incredible live appearances at Bonnaroo, Lollapalooza, Newport Folk Festival, and Shaky Knees became the norm. In late 2020, The Nude Party released its sophomore album, Midnight Manor, which debuted at #1 on the Alternative New Artists Album Chart. The sextet was unable to tour behind it and compared its release to skipping a stone over a raging river. A byproduct was that it showed the band that on their third album, they couldn’t lean on their tried-and-true method of testing out new material live and then hunker down to record. Instead of sitting around, the band got busy. Setting up shop in their Upstate New York headquarters, the group used the funds they’d saved and spent a year building a studio space out of a barn. Tired of paying for studio time and being rushed, The Nude Party methodically worked at their own pace. Out were the sessions lasting a strict handful of days. In were impromptu writing moments and picking every sound as they went along. When the band met the Tampa based engineer Matthew Horner, they discovered that they had the opposite problems: Matthew had a collection of incredible gear with no studio and The Nude Party had a great new studio with no gear. So they invited him to move his equipment up to the Catskills to record an album together. Such was the origin of the band’s third album, Rides On. Unlike their first two albums, The Nude Party decided to produce Rides On themselves. With their new space and the help of Horner, The Nude Party had as much fun creating as they ever had at any other point in their career. The lack of pressure allowed them to record over 20 songs, including some that dabbled in electro-pop and stripped-down country before settling on the final 14 songs. Rides On, the band confidently says, is their best record. It’s also the most homegrown and the most organic record The Nude Party has created to date. Working on the album themselves allowed for a democratic process where each band member could take a fuller role in producing the songs they wrote. There was some initial trepidation about there being too many cooks in the kitchen. But as is the benefit of owning your own studio space, time was not a factor. In turn, it allowed for the band’s ideas to blossom, everyone’s voice be taken into account and create an exciting, collaborative vibe. The relaxed atmosphere of the sessions, and arriving with only loosely structured material, allowed the band to thrive in the studio. It also unleashed a diverse sonic texture compared to their previous releases, as best demonstrated by the title track, “Ride On.” Sonically, the song is reminiscent of Sticky Fingers-era Stones, but its lyrics are mini-vignettes where Magee sings about persevering through adversity. The twangy, blues-drenched licks of the title track, the breezy desert dust encapsulated by the ‘70s infused “Hard Times,” the Shaun Couture-led “Sold Out of Love,” the swinging ‘60s garage vibes of “Cherry Red Boots,” which captures the spirit of what The Nude Party are going for — and showcases their growth as a band. As does expanding the band’s sonic palate with a cover of Dr. John’s “Somebody Tryin' To Hoodoo Me.” It would have been easy to stick to the New Orleans musician’s format, but the band showed off their prowess with their own darker, electric version of the deep cut. The Nude Party coalesced and embraced the spirit of collaboration. They’re excited to begin the next chapter of their career. At a time when it would have been easy to pack it in, the band continues to persevere.

Saturday, Sep 23 2023
8 PM

18+

$18.00

The Nude Party
For The Nude Party, nearly a decade has flown by in the blink of an eye. In that time, the New York-based band has released a pair of well-received albums, an EP, and played countless shows. Prior to the pandemic, the band was really starting to hit its stride. They had a system in place and were spreading their brand of melodic rock to the masses. In fact, they could count Jack White, Arctic Monkeys, and Orville Peck as vocal supporters, which led to support slots for each. Soon, incredible live appearances at Bonnaroo, Lollapalooza, Newport Folk Festival, and Shaky Knees became the norm. In late 2020, The Nude Party released its sophomore album, Midnight Manor, which debuted at #1 on the Alternative New Artists Album Chart. The sextet was unable to tour behind it and compared its release to skipping a stone over a raging river. A byproduct was that it showed the band that on their third album, they couldn’t lean on their tried-and-true method of testing out new material live and then hunker down to record. Instead of sitting around, the band got busy. Setting up shop in their Upstate New York headquarters, the group used the funds they’d saved and spent a year building a studio space out of a barn. Tired of paying for studio time and being rushed, The Nude Party methodically worked at their own pace. Out were the sessions lasting a strict handful of days. In were impromptu writing moments and picking every sound as they went along. When the band met the Tampa based engineer Matthew Horner, they discovered that they had the opposite problems: Matthew had a collection of incredible gear with no studio and The Nude Party had a great new studio with no gear. So they invited him to move his equipment up to the Catskills to record an album together. Such was the origin of the band’s third album, Rides On. Unlike their first two albums, The Nude Party decided to produce Rides On themselves. With their new space and the help of Horner, The Nude Party had as much fun creating as they ever had at any other point in their career. The lack of pressure allowed them to record over 20 songs, including some that dabbled in electro-pop and stripped-down country before settling on the final 14 songs. Rides On, the band confidently says, is their best record. It’s also the most homegrown and the most organic record The Nude Party has created to date. Working on the album themselves allowed for a democratic process where each band member could take a fuller role in producing the songs they wrote. There was some initial trepidation about there being too many cooks in the kitchen. But as is the benefit of owning your own studio space, time was not a factor. In turn, it allowed for the band’s ideas to blossom, everyone’s voice be taken into account and create an exciting, collaborative vibe. The relaxed atmosphere of the sessions, and arriving with only loosely structured material, allowed the band to thrive in the studio. It also unleashed a diverse sonic texture compared to their previous releases, as best demonstrated by the title track, “Ride On.” Sonically, the song is reminiscent of Sticky Fingers-era Stones, but its lyrics are mini-vignettes where Magee sings about persevering through adversity. The twangy, blues-drenched licks of the title track, the breezy desert dust encapsulated by the ‘70s infused “Hard Times,” the Shaun Couture-led “Sold Out of Love,” the swinging ‘60s garage vibes of “Cherry Red Boots,” which captures the spirit of what The Nude Party are going for — and showcases their growth as a band. As does expanding the band’s sonic palate with a cover of Dr. John’s “Somebody Tryin' To Hoodoo Me.” It would have been easy to stick to the New Orleans musician’s format, but the band showed off their prowess with their own darker, electric version of the deep cut. The Nude Party coalesced and embraced the spirit of collaboration. They’re excited to begin the next chapter of their career. At a time when it would have been easy to pack it in, the band continues to persevere.

SUGAR: THE NU-METAL PARTY

WAKE UP (WAKE UP)!IT’S TIME FOR A NU KIND OF 90’S / 00’S DJ NIGHT! SOMETIMES WE JUST GOTTA BREAK STUFF, EVEN WHEN LIFE IS PEACHY! THIS ONE’S FOR ALL THE PIMPS, THE FREAKS AND THE MAGGOTSTHAT ARE DREAMIN’ TO CELEBRATE THE GOLDEN AGE OF NU METAL! LET’S SHOVE IT (SHOVE IT, SHOVE IT) TO THE MUSIC OF KORN, DEFTONES, SLIPKNOT, LIMP BIZKIT, LINKIN PARK, RAGE AGAINST THE MACHINE, SYSTEM OF A DOWN, KITTIE, ROB ZOMBIE, STATIC-X AND MORE! JOIN US IN THE PIT AS WE PARTY IN THE NAME OF THE ORIGINAL FAMILY VALUES TOUR ERA AND THOSE CARRYING ITS TORCH! GRAB YOUR LEASH&hellip; PACK YOUR CHAINSAW (MF’N CHAINSAW)&hellip;AND COME AND GET IT!

Thursday, Oct 05 2023
8 PM

18+

$15.00

SUGAR: THE NU-METAL PARTY
WAKE UP (WAKE UP)!IT’S TIME FOR A NU KIND OF 90’S / 00’S DJ NIGHT! SOMETIMES WE JUST GOTTA BREAK STUFF, EVEN WHEN LIFE IS PEACHY! THIS ONE’S FOR ALL THE PIMPS, THE FREAKS AND THE MAGGOTSTHAT ARE DREAMIN’ TO CELEBRATE THE GOLDEN AGE OF NU METAL! LET’S SHOVE IT (SHOVE IT, SHOVE IT) TO THE MUSIC OF KORN, DEFTONES, SLIPKNOT, LIMP BIZKIT, LINKIN PARK, RAGE AGAINST THE MACHINE, SYSTEM OF A DOWN, KITTIE, ROB ZOMBIE, STATIC-X AND MORE! JOIN US IN THE PIT AS WE PARTY IN THE NAME OF THE ORIGINAL FAMILY VALUES TOUR ERA AND THOSE CARRYING ITS TORCH! GRAB YOUR LEASH&hellip; PACK YOUR CHAINSAW (MF’N CHAINSAW)&hellip;AND COME AND GET IT!

Southern Culture on the Skids

Southern Culture on The Skids returns to 123 Pleasant Street on Sunday October 8th!

Sunday, Oct 08 2023
7 PM

18+

$20.00

Southern Culture on the Skids
Southern Culture on The Skids returns to 123 Pleasant Street on Sunday October 8th!

25th Anniversary of 123 Pleasant Street w/ 63 Eyes, J. Marinelli, Owen Davis and the Free Humus Allstars, Duff McIntosh

Doors 7pm Show 8pm Celebrating the 25th Anniversary of 123 Pleasant StreetTickets go on sale on Saturday April 1st at 12 noon. No foolin'! 63 Eyes Featuring: Todd Burge, Mark Poole, Billy Sheeder & Perry KirkOur Super Human Guests Include:J. Marinelli& Owen Davis & the Free Humus Allstars Duff McIntosh www.63eyes.com

Saturday, Oct 14 2023
7 PM

18+

$25.00

25th Anniversary of 123 Pleasant Street w/ 63 Eyes, J. Marinelli, Owen Davis and the Free Humus Allstars, Duff McIntosh
Doors 7pm Show 8pm Celebrating the 25th Anniversary of 123 Pleasant StreetTickets go on sale on Saturday April 1st at 12 noon. No foolin'! 63 Eyes Featuring: Todd Burge, Mark Poole, Billy Sheeder & Perry KirkOur Super Human Guests Include:J. Marinelli& Owen Davis & the Free Humus Allstars Duff McIntosh www.63eyes.com